The Drama Review focuses on topic such as theater, dance, popular entertainments, rituals, politics, and social life. It traces the broad spectrum of performances. TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance. The Drama Review was founded in 1955 by Robert W. Corrigan as the "Carlton Drama Review" (so named because Corrigan was a faculty member at Carlton College). Corrigan took TDR with him to Tulane University in 1957 where he renamed it the Tulane Drama Review. In 1962, Corrigan left Tulane for Carnegie Mellon University and Richard Schechner became editor. Schechner left Tulane for New York University in 1967 taking TDR with him and renaming it TDR: The Drama Review. Erika Munk succeeded Schechner as editor in 1969. Michael Kirby became editor in 1970. In 1986, Kirby resigned and Schechner resumed TDR's editorship. Schechner continues as editor as of 2017. TDR is owned by New York University and is published in hard copy and online by the MIT Press.
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